KEYS TO THE CITY weaves together three separate stories : Eoin is a businessman with bills and a mortgage, Paul is a landlord with overdue bank payments and Monika’s minimum wage job is under threat by her boss. As all three struggle for survival they becoming increasingly desperate in their actions hoping to keep their lives and families together and survive in recession -era Dublin.
Also having its U.S. debut at the festival is Frank Kelly´s DERELICT the story of a group of men, down on their luck, who decide to hold a bank manager’s family hostage while robbing his bank. A dark thriller filled with tension the film is set in a derelict building and focuses on the friction between the kidnappers and the family and between the kidnappers themselves; but things take a frightening turn when it appears that the kidnappers are not alone in the building. With an edgy soundtrack by Dermot O’Mahony what seemed like a simple kidnapping turns into a fight for survival for everyone involved.
The sci-fi romantic comedy EARTHBOUND will screen Saturday, March 2nd in its first U.S. screening since picking up a Best of the Fest at the 2012 Seattle International Film Festival.
Tony Donoghue´s IRISH FOLK FURNITURE will screen opening night, March 1st at the 14th Chicago Irish Film Festival having just won the prize for Best Animation at the 2013 Sundance Film Festival.
The film uses stop-motion animation to breathe life into old pieces of furniture found rotting in Irish barns and sheds.
IRISH FOLK FURNITURE was produced by Cathal Black . This is the second short film directed by Donoghue to screen at the festival, the first was A FILM FROM MY PARISH : 6 FARMS that won a festival award in 2008.
SANCTUARY is the story Jan, a successful Polish surgeon and his encounter with an intriguing young woman at a conference in Ireland. The film stars Jan Frycz (80 Millions, Little Rose) and Anne-Marie Duff (Magdeline Sisters, Nowhere Boy) and made its international debut at the Galway Film Fleadh.
SANCTUARY Is Norah McGettigan’s first feature film and was produced by Venom Film, Dublin, and Wajda Studio, Warsaw. SANCTUARY will opene the festvial March 1st.
Award winning, entertaining, witty, animated, edgy, cultural, anticipated, this year’s short films are all this and more.
Award Winning IRISH Film Opens in Chicago!
directed by Ciaran Foy
December 14, 2012
1517 W. Fullerton Ave Chicago, IL 60614
CITADEL is the story of Tommy (Aneurin Barnard) who is afflicted with chronic agoraphobia after his wife is brutally killed by a gang of twisted feral children. Trapped in the dilapidated suburbia of Edenstown Tommy sets out to learn the nightmarish truth surrounding these hooded children. CITADEL brings a fresh take to classic horror winning the 2012 Midnight Audience Award at SXSWFF, the 2012 Audience Award at the Celluloid Screams Festival and nominated for two 2012 Scottish NAFTA Awards.
Check out the trailer at : http://www.imdb.com/video/imdb/vi3501434649/
Well the festival has been absolutely amazing and the days have literally flown by filled with great movies, lively discussions and mad dashes across the city so as not to miss a single screening many of which were sold out….really sold out!
Today was filled with a number of great programs starting off with Cathy Pearson’s documentary about Chicago born photojournalist John G. Morris entitled Get The Picture? Morris began his career just before the start of WWII and is still a part of the industry at 96….An extraordinary story about an extraordinary man! Next was a quick visit into an industry gathering with DIT School of Media, the Galway Film Centre, the Houston School of Media and Cork College among others showcasing their programs and highlighting the students that are now working around the world in film and winning lots of awards…….. Of course we were there to encourage them to apply to the fest in Chicago.
One of the most anticipated programs at the festival each year is the premier screening of the Irish Film Board shorts and this year’s group where as wonderful as they were varied touching on everything from the history of grocers to immigration and cycling and capped off with one of the Chicago festival’s favorite filmmakers, Morgan Bushe, and his short Doghouse which had the audience in stitches. Hopefully, we will be able to snag it for a screening come March.
So back to the States tomorrow morning and then the real work of securing the programming that will light the screens for the 14th Chicago festival…November wouldn’t be November with out Cork ….and Thanksgiving…hope you enjoyed the posts from Cork.
The festival is half way done, but the energy has increased tenfold as filmmakers, producers and distributors have started to arrive in droves and the number of films with Irish roots fill the schedule; seven screenings today!
But back to yesterday with three screenings that really stood out. First was the continuing program from The National Film School that screened the ground breaking documentary Boys For Rent (1993) by Liam McGrath about teenage boy prostitution and Kirsten Sheridan’s Patterns(1998) an extraordinarily authentic look at autism. This earlier film which is controlled and tightly paced stood in sharp contrast to her new film Dollhouse (2012) which was filmed using a fifteen page script, multiple cameras and a great deal of improve. In the Q&A that followed the screening Sheridan and the cast revealed that frequently only a few people on set knew what was coming next in an attempt to make the film feel authentic and “live”. Whether they were successful was certainly debatable, but that elevated the film as everyone was still debating the film on multiple levels right into the after party at the festival club.
The other screening of note was part of the Free Radicals program entitled Low Definition Control by Austrian filmmaker Michael Palm that looked at how technology has become so intertwined with our everyday lives no one seems to be paying attention anymore. The film looked at both the bio-political and governmental processes that could at some point be used to control society…food for thought as all the Free Radical films always are.
Today promises to be grand with the screening of four Irish films, two documentaries, Very Extremely Dangerous by Paul Duane and Skin In The Game by Donald Taylor Black and two features, Good Vibrations by Lisa Barros D’Sa and Glenn Leyburn and Phil Harrison’s The Good Man whose short Even Gods screened in Chicago and has won multiple awards worldwide… all very exciting….and of course at last two dozen more shorts!!!!!
Last night saw the final night of the Made in Cork shorts program and it really is incredible to see how much the program has grown now covering three nights. Although there was quite a number that centered on small moments such as Mark Cogan’s Partly Cloudy and Christina Utzeri’s Riddled, there was also a fair representation of intense personal drama with Blake Norton’s Psychosis and out right horror in Twinkle Toes by Daniel O’Connell. One of the highlights of the program was the amazingly animated film Daithi Agus Goliath (David and Goliath) by Gerald O’Brien that updates the classic bible story with vibrant colors and a great soundtrack. And of course, there was a fair amount of Irish humor especially Shaun O’Connor’s Rint and Mutt two films that had the audiences roaring.
This year was the first time we were able to attend the Slow Foods program at the festival and it was amazing. A lovely box of small bites catered by BiteSize set the tone for two wonderful films Conor Ferguson’s short Un Peu Plus, about a women’s insatiable quest for french pastries and the fascinating story of the Michelin starred French chef Michel Bras and his son Sebastian who has worked by his side for over 15 years. Step Up To The Plate ( Entre Les Bras) is an extraordinary documentary that skillfully depicts the creativity and passion that are the hallmarks of french cuisine.
Today has already started on a high note with a screening of Andrew Legge’s the Girl With The Mechanical Maiden as we start the whirlwind screenings of six Irish Shorts programs, a half dozen Irish documentaries and tonight’s screening of Kirsten Sheridan’s Dollhouse which she will introduce and hopefully do a Q&A after, hopefully in the festival bar over a glass of wine….!
One last note, yesterday nostalgia filled the air when Clair Lynch’s Fruit 15 was screened along with Ken Wardrop’s Undressing My Mother and Declan Reck’s Big Swinger among others that prove great films, or in this case shorts, do stand the test of time, they were indeed amazing. Looking forward to the rest of the IADT program.
The sun and clouds reflecting off the River Lee, quick bites on French Church Street and friendly pints with old and new friends are just a small part of what makes our annual sojourn to Cork for the Corona Cork Film Festival so special. Its really all about sitting in the back of the opera house and being amazed, awed and entranced by film after film….looking forward to another brilliant year of Ireland’s best and the world’s newest. See you in Cork, November 11-18!